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I grew up in the Midwest and in California, with excursions around the rest of the US and, from time to time, Europe– my parents enjoyed travel and my father had made friends in Czechoslovakia when he was stationed there at the end of World War II. 


I've always invented stories—first in the course of drawing, and then in words. It's possible that this storytelling impulse is genetic—my Grandpa Huebner told lots of exciting lies, and many of my cousins are good storytellers—or it may be that I just needed to be like Harriet the Spy and for that matter follow in the footsteps of Marguerite Henry (who kindly autographed a pile of books for me) and C.S. Lewis (who died before I could read the Narnia books). So, after receiving a degree in Theatre Arts from the University of California at Santa Cruz, I plunged into life as a fiction writer, living on a boat and working in factories, offices, oil refineries, theaters, publishing, private investigation, and adolescent drug rehab, because it was obvious to me that this was the best path to being a good writer.


Over the years, my short fiction has appeared in such literary and genre venues as Northwest Review, Colorado State Review, Magic Realism, Fantasy Macabre, Ceilidh, Weave, Opossum, and Unlikely Stories. Eventually I began working on novels, but meanwhile I earned an MA at American University and PhD at University of Pittsburgh, both in Art History, which resulted in my first published book, Magnetic Woman: Toyen and the Surrealist Erotic.




On Magnetic Woman:


"This beautifully illustrated volume is a major contribution to our knowledge of Toyen and the Czech Surrealist circle, offering an extensively researched biographical account of Toyen's career and work, notably in terms of her foundational role in the circle in the 1930s and then her career in Paris, where she moved after World War II and became an important Surrealist figure." --Alyce Mahon, CAA Reviews





"Through the voices of two women with overlapping lives but diverging paths, Karla Huebner explores the tension between control and surrender, reason and ecstasy, dreaming and choosing. This engaging, erudite, yet accessible novel takes us on a cultural journey spanning millennia, from Greek mythology to Jimi Hendrix, from Elizabethan lyric poetry to performance art, revealing along the way the joy of self-discovery." -–Julie Wittes Schlack, author of This All-at-Onceness


"Karla Huebner's debut novel offers a sophisticated meditation on the idea of art, mythology, (experimental) theater and music (classical and jazz) as two women, separated by a generation and divided by a cultural shift - from 60s to post-60s - negotiate sexuality, love, regret, grief, and above all forgiveness, all done in a style that's deceptively simple at first but grows on the reader and quietly lures him inside the magic theater only to discover that all lies within - the actors, the script, the theater, the magic. A treat for the denizens of the world of art and intellect." --Moazzam Sheikh, author of Café Le Whore and Other Stories


"Exciting... A sophisticated, queer-friendly, and feminist take on Hesse's Steppenwolf. Although loosely set in the late 1990s, Huebner's meditation on repression, instinct, and the creative drive is fresh and timeless."--Gabriella West, author of Time of Grace and Once You Are Mine


"At some point every life should have a disquieting blast of Kari. She's a down-but-not-out whackadoodle, the perfect foil to serious young Sarah in this page-turner fugue between two women whose views of music, men, and even the meaning of existence couldn't be more out of sync. Karla Huebner's lyrical prose has the ring of a bold new showtune with a message about how to suffer joyfully and artfully. And even if 'you don't always know what you want, and you can't always get what you need,' In Search of the Magic Theater will give you reasons to sing along." -- Jan Alexander, author of Ms. Ming's Guide to Civilization


"Two women, a generation apart though their lives intertwine, tell us in their most intimate voices of their quite different, sometimes comical and mostly but not always disappointing adventures with men. And careers, and cellos, and dope. When the quest for satisfaction of the elder and more pro-active of the two takes the stage, we are treated to a simultaneously comical and erudite 'magic theater' production, in which we see their present dilemmas as repetitions or reflections of the ancient myths of Endymion and the goddesses, with pictorial and poetic references through the ages. In this short tale of two women, in which the men are also treated very sensitively, Karla Huebner calls on her deep knowledge of European classical paintings and verse, and surely her personal knowledge, for a story of desire denied, delayed, and sometimes precariously fulfilled." –-Geoffrey E. Fox, author of Welcome to My Contri, A Gift for the Sultan, and Rabble 


"Huebner sets us up for a climax of dazzling theater that combines Keats's romantic poetry, Greek drama, music and dance, a production that leaves the reader excited and fulfilled by the magic one can experience with good art. And, yes, a sense of adventure in our unforeseeable future."—Margaret C. Murray, author of Spiral and Pillow Prayers